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The Roly-Poly, designed by British designer Faye Toogood in 2014 after the birth of her first child, came out of a real need. Characterized by its chunky legs and soft edges, the Roly-Poly armchair is a low-profile, comfortable seat that many see as an homage to motherhood—if not the thick, stubby legs of a baby elephant. “It’s an interesting boldly sculptural single-form, single-material rotational-molded chair, which can be used indoors and outdoors,” Fielly notes. Originally cast in fiberglass, the chair now comes in an array of materials and colors that would appeal to maximalists and minimalists alike.
Eames Molded Plastic/Fiberglass Chair
Perhaps your preferences lean toward the bohemian because of the mix of textures and the light, natural elements, or maybe you love the look of a farmhouse room for its welcoming warmth. A luxurious modern bedroom filled with rich colors and opulent materials can make your bedroom feel like a five-star getaway. With our wide selection of beds, nightstands, dressers, benches, and more, your bedroom will become your new favorite space.
Louis XVI Armchair
In 1994, the company tapped Bill Stumpf and Don Chadwick to design the Aeron, a "human-centered" chair. This style has been bridging the gap between form and function for 25 years, thanks to its ergonomic construction and sleek silhouette. Of course, Breuer is best known for the Wassily Chair, which he designed in 1925. Spotted everywhere from design museums to television shows like Frasier, this option is considered to be the first bent tubular steel chair design. The Ball chair was designed in 1963 by Eero Aarnio, a Finnish interior designer who studied at the Institute of Industrial Arts in Helsinki. It is a spherical chair that has been cut in half to provide room for someone to sit inside it comfortably, while being wrapped in the cocoon of the chair.
Bedroom Furniture
The chair caught the attention of curators at MoMA, who requested a model. In 1947, Knoll began carrying it, swapping out the original black legs for polished chrome—but stopped production in 1951. Now, versions of the chair style can be found everywhere from CB2 to Target. Louis XVI was France's last monarch before the country's revolution (and the husband of Marie Antoinette). Chairs from the time of his reign are characterized by rounded seat backs—which are often curved for comfort—and plush seats. A revived interest in classical style makes for details that nod to Greek and Roman decoration, like carved, fluted legs reminiscent of classic columns.
Egg Chair
With its near-circular seat frame and its hoop splat back, the Thonet 209 armchair is the icon for modernists. Even Le Corbusier himself considered this the chair that best shares the aesthetic of his modern architecture, placing it in nearly all of his buildings. This chair was designed in 1928, making it the first tube steel framed style of seat that could be mass-produced. Traditionally, there are no arms on this chair, though you can get them with arms. Designed by Marcel Breuer in Germany and named after his daughter Francesca, the chair offers a fun bounce and appears to “float” a sitting person on air. Throughout the 1960s, furniture designers were seeking an alternative to plastic and struggled to find anything that could compete with its light flexibility.
A new air of minimalism captured the minds of furniture designers in Europe and the United States. Suddenly, it was no longer in fashion to have older chairs in the house. As the post-war period saw an increase in mass production of household goods, many furniture pieces were able to be produced at lightning speeds compared to the past. As long as people have been furnishing homes, they've been designing (and shopping for) chairs to go in them.
Modern Living Room Chairs
Approachable, elegant designs and clean shapes are some ways to describe mid-century modern furniture designer, Milo Baughmans’, pieces. His collaboration with various companies created what we know today as California Modern during the mid 20th Century. With modern office furniture, you can curate a space that combines organization and function with remarkable design.
Charles and Ray Eames Eames LCW Chair
Get our big stories about Hollywood, film, television, music, arts, culture and more right in your inbox as soon as they publish. The Los Angeles County Museum of Art is at a critical juncture in its efforts to push its Peter Zumthor-designed building project closer to the finish line. Initially commissioned for the lobby and reception areas inside Copenhagen's Royal Hotel in 1958, Arne Jacobsen's iconic Egg Chair has remained a steadfast classic and continues to be a must-have for design mavens.
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Farnichar Chair Design Discount - Atlanta Progressive News
Farnichar Chair Design Discount.
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In 1948, Knoll received exclusive rights to manufacture the coveted chair design. In 2002, designer Philippe Starck put his own spin on the Louis XVI armchair, rendering it in clear polycarbonate for Kartell. The design—which is offered both as an armchair and without arms—became an instant sensation...and spurred dozens of knockoffs. When Eero Saarinen first began working with Florence Knoll, she challenged him to create the world's most comfortable chair. Enter, the aptly-named chair, first released in 1948 and continually produced by Knoll since then.
And, over the course of this long history, certain perches stand (or should we say, sit!) out as timeless classics, referred to time and time again as the cycle of design continues. From antique pieces that inspired modern interpretations to original designs that remain as popular today as when they were first introduced, these 50 chairs are the ones that have made the biggest impact on design history. They run the gamut in terms of style (Louis XIV! Futuristic! Midcentury! Utilitarian!), era (Ancient Greece right up to the 21st Century), and region of origin (Malawi to Milan), but each deserves a place in the design history books. We're sure you'll find a few familiar shapes in there—and hopefully learn how to spot many new ones.
This concept was so revolutionary in 1946 that Time called it one of the best designs of the 20th century. When Eero Saarinen designed the now-famous Pedestal Collection in 1957, he wanted to create furniture that looked good from every angle. Or, in his words, find a solution to the "ugly, confusing, unrestful world" underneath tables and chairs. The designer traded in traditional legs for a sleek, tulip-like base, and the rest was history. Also called the Diamond chair, this 1952 chair by Harry Bertoia is an open form and metal style chair which is inspired by sculptures.
The chair, like Gehry’s celebrated architecture, is characterized by its abstract, sculptural qualities—a construction technique previously considered truly inconceivable with this heavy paper-based material. Like so many innovations before it, the Egg chair was the result of a series of trials and errors. Jacobsen experimented with wire and plastic in his garage before he landed on this now-legendary piece of functional art. Composed of a steel frame that is covered in an upholstered foam shell, this large and voluptuous chair is adored for its ability to embrace the sitter in a swaddling embrace.
Again, inspiration from the past serves as fodder for contemporary novelties. Conceived in 2002 by French architect Philippe Starck for Kartell, an Italian company known for its contemporary plastic furniture, the Louis Ghost chair is a fresh take on French regal elegance. “The technical experimentation that resulted in the advent of the see-through chair was a painstaking and difficult journey, involving highly intensive research,” Miller writes. “But, once resolved, it allowed Starck and the manufacturer Kartell to progress with more sophisticated forms.” The result is the world’s first line of totally transparent polycarbonate chairs. The Louis Ghost chair—one of the best selling chairs of the 21st century—flaunted a fitting marriage of old and new. Inspired by a painting of Danish merchants in Ming dynasty chairs in 1944, the Wishbone chair was drawn up exclusively for Carl Hansen & Søn in 1949.
